Notable Productions and Innovations

*Tony Award (plays bolded)

1920s

Day and Night (1924) – Aronson’s first production

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1924 stage design on Day and Night

The Bronx Express (1925) – stage was designed as the interior of a subway cart that could turn into a rich place, or a poor apartment

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Cast and crew of 1925 production of The Bronx Express. Boris is in the bottom row, farthest to the right.

The Tenth Commandment (1926) – stage design had a face with a world of hell inside of it (see “Glory Days” for more info)

2 x 2 = 5 (1927) – first English-Speaking play done by Aronson


1930s – joins the Group Theatre

Walk A Little Faster (1932) – Famous for innovative curtain design shaped like “iris lens”, done at the Selwyn Theatre on Broadway

Awake and Sing! (1935)

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Playbill for Awake and Sing! in 1935

Paradise Lost (1935)

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Playbill for the Group Theatre in 1935

The Gentle People (1939)


1940s – used colored slides to create projected scenery (Aronson called it “Painting with Light”)

The Great American Goof (1940) – one of Aronson’s first ballets

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Costume design by Aronson for The Great American Goof (1940)

The Desert Song (1946)


1950s – designed mostly dramas

Season in the Sun (1950)

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Costume design for Season in the Sun (1950)

The Country Girl (1950)

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Scene from The Country Girl (1950)

The Rose Tattoo (1951)

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Tennessee Williams in The Rose Tattoo (1951)

I Am a Camera (1951) – based on Christopher Isherwood’s book; later inspire Cabaret

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Watercolor painting by Aronson for set design of I Am a Camera (1951)

The Crucible (1953)

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Aronson’s set drawing for The Crucible (1953)

The Diary of Anne Frank (1955)

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Costumes and Set from The Diary of Anne Frank (1955)

Bus Stop (1955)

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Playbill for Bus Stop (1955)


1960s – rose to fame for designing musicals

Fiddler on the Roof (1964)

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Aronson’s original drawing for Fiddler on the Roof (1964)

Cabaret (1966) – used lightweight mylar mirror to reflect the audience back to themselves

  • Also used floor microphones; rare at the time

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Stage of Cabaret (1966) designed by Aronson

Zorba (1968) – Song and pictures from Zorba in 1968

 


1970s – collaborated with Harold Prince on majority of works

Company (1970) – used various levels and dimensions

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Aronson’s set design for 1970 production of Company

Follies (1971) – video of Follies production in 1971

Great God Brown (1973)

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Playbill for Great God Brown (1973)

Pacific Overtures (1976) – actually constructed a boat on stage

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Original design for Pacific Overtures (1976)

The Nutcracker (1976) – last design ever for Baryshnikov’s masterpiece

Act 2 from The Nutcracker in 1976